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A Diverse Range of Artists:
The roster of talented artists featured in ‘Hardcore’ is as diverse as the subject matter they explore. From Darja Bajagić to Monica Bonvicini, Miriam Cahn to Elaine Cameron-Weir, KING COBRA (documented as Doreen Lynette Garner) to Bob Flanagan and Sheree Rose, Maryam Hoseini to Tishan Hsu, Stanislava Kovalcikova to Bruce LaBruce, Tayeba Begum Lipi to Monica Majoli, and Tiona Nekkia McClodden to Carolee Schneemann, this exhibition brings together a remarkable collection of visionaries.
The Curators and Their Vision:
‘Hardcore’ is curated by the brilliant minds of Sadie Coles and John O’Dohert. With their understanding of contemporary art, Coles and O’Dohert have meticulously curated an exhibition that sparks discourse.
Bob Flanagan Exploring the Boundaries of Human Experience:
The Definitive Masterpiece: Bob Flanagan and Sheree Rose's 'Supermasochist':
The Compelling Art of Stanislava Kovalcikova:
Doreen Lynette Garner, AKA King Cobra:
Carolee Schneemann's thought-provoking piece, "Vulva's Morphia”:
Located on the ground floor of the gallery, visitors to the exhibition will discover a curated selection of books meticulously chosen by Isabella Burley, the mastermind behind Climax Books. Founded in 2020, Climax Books specializes in rare and countercultural books and magazines on art and photography. Burley, who previously served as the editor-in-chief of Dazed and currently holds the position of chief marketing officer at Acne Studios, has long been connected to the artists featured in ‘Hardcore’.
Burley’s selection of titles and ephemera acts as a response to the thought-provoking exhibition. Each item chosen reflects the essence of the show, further immersing visitors in the exploration of power dynamics, intimacy, and the diverse aspects of human sexuality. With her deep understanding of the artistic landscape and her commitment to promoting countercultural expressions, Burley’s curation provides a unique opportunity for viewers to engage with a variety of rare and inspiring materials.
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