Creativity has always been present in out house, coming from a family of antiquarians, it was an environment that shaped and influenced my artistic development from the very beginning. I have always been surrounded by art; my family has always supported me in carrying on my passions, I’ve been drawing since I was very young and using all kinds of material I could find.
Yes through my Instagram you can see my final collection of Polimoda, which I had the honour to see published in Vogue Italy.The collection is inspired by the contrast between fragility and strength, to the delicacy of memories. Draping and tissue movement refers to the change and volatility of life and how powerless we are in front of that. It’s dedicated to a special person I grew up with.
Polimoda gives the great opportunity to collaborate with companies in the industry and make beautiful projects supported by great mentors through important lectures and workshops.
I see that there is a strong desire to question many aspects, looking at inclusivity and sustainability. This is a very important aspect and we must continue to move forward along this path.
Yes, surely the thing that attracted me the most to FXLB is innovation and sustainability, and the great desire to experiment. Both of these things are part of my work ethic and always pushing the boundaries. Sustainability has a very broad meaning and encompasses multiple aspects, in my work it starts with materials. We try not to waste anything and give new life to the materials thanks to a very high quality of craftsmanship.
It was a very exciting especially because it put me in touch with a city like New York and an amazing team. I have always loved New York, a city in which I have spent a lot of time since I was little even if now I am established in Florence.It was an honour that the project was first shown right there.
I’m a little superstitious and I can’t say things before they happened, but I’m telling you something’s up.